Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Tuesday, April 05, 2011

A touch of Gloom is Good?



'Containment'


Gravestones & Shadows
It's been a busy week of painting and photographing and listing images online etc etc huff-puff..phew! So, here I have two, what at first might appear to be rather gloomy, images taken over the last week. Both were taken with my Sony Alpha with an 18-200 mm Sigma lens and as always I shot in RAW.

OK, Containment started out as a typical study in texture. Barbed wire against a rustic post, all very visual etc. However, as post production in Photoshop developed so did the intention of the image. The red colour (blood?) was simply moss growing on the post but with a click of the mouse the mottled yellow became a dark red. Hmm, at this point I own up to adding what might look like a hand print on the post. Well, once I saw the wire and the red the rest just clicked. So many cues from every media outlets we see. The world of repression, imprisonment and indeed confinement. For the record I'm not a paid up member of Amnesty International and my art tends to veer well clear of political statements but sometimes folks...

The dots just join themselves together!

Gravestones & Shadows had an equally inauspicious beginning. It was a warm day, I felt like a walk and as I passed our local churchyard I was drawn more by the daffodils than by the graves, Still, I thought a shot or two might work? I did like the shadows but hey, it was mid afternoon, warm and bright. Hardly the recipe for Gothic despair!

That though, is the wonder of post editing in a programme like Photoshop. You take an image which (in it's natural state) is fairly routine and well..boring? And you work it up into something unusual and hopefully less eh..boring?

In this case I played with the tones in Adobe Raw before importing into Photoshop where I used some textured backgrounds in Layers. Cue a fiddle with the filters and presto..one image which explores life, death and our obsession with recording our passing,

or

You can enjoy it as a feast of texture, form and a play on light. There, you see, spoilt for choice over such 'gloomy' subjects!

Shirley





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Wednesday, March 02, 2011

Photography:Skulls & Candles


I've been trying my hand (and lens) at subjects in low light and the wonderful effects (as with Mr Skull above) you can expect to achive with a little practise, a bit of effort and (essentially) the right camera!

Well of course painting is my first love, my passion and favourite child but photography has quickly won a very important seat at my table. Initially the camera was simply a tool. A device to capture my paintings for use online as well as my portfolio. Simply utilitarian? Well yes, until the time came when I started to think about producing high quality photo's. Then everything changed...
Q: Time then for an upgrade?
A: Absolutely!

I'll not labour the point here regarding my transition from functional point & shoot bod into DSLR enthusiast extraordinaire! (I'll focus on that journey in a future post) Enough to say that the difference between the two is like comparing a Mini Cooper with a Ferrari F50!

The effect with the skeleton and candle was achieved using my Sony Alpha 350 with a 90mm macro lens on a manual setting. The key is to experiment with long exposures whilst using low (off camera lighting) lighting (other candles or even a diffused torch will do) and not being afraid to explore your manual settings. OK, it can be hit and miss at first (very!) but you soon gain a 'feel' for your subject as your choices become more and more intuitive.

Of course it helps in post editing to leverage the full benefits of photoshop but the aim is to get as much right before opening your favourite Adobe editor!

Oh, the skeleton? It's one of those cheap little plastic efforts you usually pick up for a song during Halloween. In normal light it hardly looks convincing but with a little 'razzle-dazle' the possibilities are simply endless.

Shirley

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